This work phase
(1966-69) introduces geometry and constructibility
(but not yet the computer) into my work. In a subjective
selection process, geometric elements
influenced by electronic and other technical signs are created and
distributed over the entire pictorial surface. They are mobile
signs, that means, they are exchangeable signs. Since all signs
(forms) are surrounded by a pictorial force, they create in their
juxtaposition a network of abstract visual tension.
Exhibition catalog:
Manfred Mohr, "signes géométrique", Galerie Templon, Paris 1968
(Cimaise Bonaparte, Paris, 1968 - Opening delayed and gallery renamed due to May 1968 uprising)
(catalog and show)
(see invitation)
(see article by Catherine Millet)