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| P-350/D | P-350/A | P-350/B |
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3 multi-part structures (canvas, ink, wood), Divisibility II, of molecular-like growth with 4-cut as seed, in-lines black ink, out-lines shape | ||
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| P-397/D | P-397/E | P-397/F |
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3 multi-part structures (cardboard, wood), Divisibility III, of molecular-like growth with 4-cut as seed, spine of growth in black wood, out-lines gray shapes | ||
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| P-360/K | P-370/C | P-360/P |
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3 paintings (canvas/ink), Divisibility II, of molecular-like growth with 4-cut as seed, in-lines and out-lines black ink | ||
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P-380/A Artwork with 16 paintings (canvas/ink), Divisibility II growth with 4-cut as seed, in-lines and out-lines black ink |
P-397/DB Painting (acylic on canvas), Divisibility III growth with 4-cut as seed, out-lines shapes in black |
8 P395, Divisibility III drawings, 1986 Molecular-like growth with 4-cut as seed. Out-line surfaces as hashed lines. Spine of growth (through center of 4-cuts) as black line. |
All possible growth patterns after four generations from the same initial "4-cut", 1985 |
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| 2 examples of 3 different visual interpretations of same growth - shown as Divisibility II drawing and Divisibility III drawing and structure | |
Diagram of 6 generations of growth from 4-cut as seed (out-lines shown). |
Example of 3 different visual interpretations of same growth - shown as Divisibility III, drawing, structure, painting. |
Exhibition Manfred Mohr: Installation view at Carroll/Fletcher gallery, London 2012
P-350-306c Installation view at PULSE MIAMI 2009 (bitforms gallery, New York)
Retrospective Manfred Mohr: Installation view at Wilhelm-Hack-Museum, Ludwigshafen 1987 (Photo Koliusis)
Grazyna Kulczyk Collection, Fundacion Banco Santander, Madrid, 2014
Plotting a large painting on canvas from my algorithm Divisibility II with my bottomless Alpha Merics plotter, 1984
The large artwork was realized by displacing the plotter to draw the painting in sections, as seen in this photo.